By tommy. Bungalow. Published at Wednesday, April 26th, 2017 - 05:56:29 AM.
An Ultimate bungalow is a large and detailed Craftsman style home, based on the bungalow style. The style is associated with such California architects as Greene and Greene, Bernard Maybeck and Julia Morgan. Some of the hallmarks of Greene and Greenes ultimate bungalows include the use of tropical woods such as mahogany, ebony and teak, and use of inlays of wood, metal and mother-of-pearl. As in their other major projects, Charles and Henry Greene—and to a lesser extent Bernard Maybeck and a few other Craftsman-era architects who built such homes—sometimes designed the majority of furniture, textiles, fixtures and other interior details of these homes specifically for their location both in the house and in the larger landscape.
Chicago bungalow: The majority of Chicago bungalows were built between 1910 and 1940. They were typically constructed of brick (some including decorative accents), with one-and-a-half stories and a full basement. With more than 80,000 bungalows, the style represents nearly one-third of Chicagos single-family housing stock. One primary difference between the Chicago bungalow and other types is that the gables are parallel to the street, rather than perpendicular. Like many other local homes, Chicago bungalows are relatively narrow, being an average of 20 feet (6.1 m) wide on a standard 24-foot (7.3 m) or 25-foot (7.6 m) wide city lot. Their veranda (porch) may either be open or partially enclosed (if enclosed, it may further be used to extend the interior rooms).
A bungalow is a one- or one-and- a-half story dwelling. Good enough, except that since the period when most bungalows were constructed – roughly 1880 to 1930 in the United States – literally every type of house has at one time been called a bungalow. Two-story houses built on the grounds of hotels are still called bungalows, for example. And to further muddy the definition, the great Southern California architect Charles Sumner Greene went out of his way to call his Gamble house (1909) in Pasadena, Calif., a bungalow. Instead, the Gamble house is a sprawling two-story residence with a third-floor pool room.
Ironically, the bungalow that had once been the symbol of retreat to the countryside became the architecture of the city and its suburbs. Yet the bungalow did not lose its identification with the rural idyll and a better, golden day. Be it ever so humble, it embodied an ideal for the majority of Americans – the free-standing, single- family dwelling set down in a garden – an ideal that clings to us today.
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